Galerie Michael Janssen, Cologne

The Rules Are no Game, 1997

Computer, camera, silkscreen on wood
Variable dimensions

Exhibition

The Rules Are no Game, Galerie Michael Janssen, Cologne 1998 · Net Condition, Center of Art and Media (ZKM), Karlsruhe 1999 · Algorithmic Revolution. On the History of Interactive Art, Media Museum (ZKM), Karlsruhe 2004 · Dauerausstellung, Medienmuseum (ZKM), Karlsruhe, 2005 · You_ser 2.0., Media Museum (ZKM), Karlsruhe 2009

Bibliography

Works of Art for Life – Kunstforum Bd. 142, ed. by Dieter Bechtloff, Ruppichteroth 1998, p. 143 · Officina Europa, ed. by Angela Tosarelli, Oriano Ricci, Galleria d'Arte Moderna di Bologna, Bologna 1999, p. 57 · Artist as Gardener – Kunstforum Bd. 145, ed. by Dieter Bechtloff, Ruppichteroth 1999, p. 282 · Camera Austria Nr. 68, ed. by Manfred Willmann, Graz 1999, p. 84 · Examples 2000 – Cultural Awards of the Country Upper Austria, ed. by Amt der Oberösterreichischen Landesregierung, Institut für Kulturförderung, Linz 2000, p. 23 · Frieze Nr. 51, ed. by James Roberts, London 2000, p. 57 · Parnass, Issue 2, ed. by Charlotte Kreuzmayr, PARNASS Verlag Ges.m.b.H., Vienna 2000, p. 133 · Wirtschafts Woche, Nr. 9, ed. by Verlagsgruppe Handelsblatt GmbH, Dusseldorf 2000, p. 206 · Net Condition – Art and Global Media, hrsg. v. Peter Weibel, Timothy Druckrey, The MIT Press, Steirischer Herbst, Zentrum für Kunst und Medientechnologie, Cambridge, Graz, Karlsruhe 2001, p. 72, p. 73, p. 75 · Camera Austria Nr. 73, ed. by Manfred Willmann, Graz 2001, p. 63 · .arcadia, ed. by Christoph Merian Verlag, Kunsthaus Baselland, Basel 2002, p. 39, pp. 41-42, pp. 61-62, p. 74, p. 75, p. 76, p. 77, p. 78, p. 79 · Social Interest Is Actually also Present, ed. by Ralph Melcher, Saarlandmuseum, Saarbrucken 2005, p. 22, p. 105 · Parnass – Noble Collections, Issue 2, ed. by Charlotte Kreuzmayr, PARNASS Verlag Ges.m.b.H., Vienna 2005, p. 118 · I Can Hypnotize! What Can You Do?, ed. by Sammlung Ploner, Museum Moderner Kunst Stiftung Ludwig Wien, Vienna 2007, p. 8, p. 9, p. 90 · Could Have also Been Another Good Exhibition…, ed. by Verlag Walther König, Köln, Museum Moderner Kunst Stiftung Ludwig Wien, Vienna 2007, p. 268, p. 269 · I Actually Paint Quite Differently, I just Don’t Get Round to It That Often, ed. by Leinemann-Stiftung für Bildung und Kunst, Hamburg 2017, p. 30, p. 259 · I Could Have also Made You the Same Exhibition Again and Again, ed. by Reinhard Spieler, Sprengel Museum Hannover, Hanover 2019, p. 25, p. 26